By John Gardner
John Gardner's vintage exploration of the artistic methods and occupation paths of recent fiction writers
In this crucial advisor, John Gardner advises the aspiring fiction writer on such subject matters because the price of inventive writing workshops, the developmental phases of literary development, and the inevitable event of writer's block. Drawn from his 20 years of expertise in inventive writing, Gardner balances his compassion for his scholars along with his wisdom of the publishing undefined, and in truth relates his reports of the hardships that lie forward for aspiring authors.
On Becoming a Novelist is a must-read for these devoted to the craft and occupation of fiction writing.
This e-book includes a new illustrated biography of John Gardner, together with unique letters, infrequent images, and never-before-seen files from the Gardner family members and the college of Rochester records.
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Extra info for On Becoming a Novelist
This double publication is an exceptional occurrence, unusual in any country, and particularly in Canada where translations were rare. In fact, Blake and Macphail initially planned to collaborate on the translation, but the two had very different ideas about how to go about their task. ”19 Macphail’s translation appeared a few months before Blake’s. Despite its prestigious publisher, international distribution, and illustrations by Suzor-Côté, Macphail’s version was overshadowed by Blake’s, which has become the authoritative version.
Rivard was heavily involved with the language debates of the time, and he wrote as a traditionalist. The real subject of Rivard’s book is the collusion between language, memory, and identity, and this mix cannot be rendered in another language. ’” These are the words of a true conservative, undoubtedly out of sync with progressive ideas at the time. Blake takes on a mandate whose terms evoke an imaginary, nostalgic world. ”37 From the first chapter, significantly entitled “The House,” the nostalgic flavour of Rivard’s text (and Blake’s translation) is easily captured: Il y avait de plus grandes; il n’y en avait pas de plus hospitalière.
Glassco himself was the principal translator; he translated the texts of thirty-seven different poets (including Robert Choquette, Paul Morin, Alfred DesRochers, Sylvain Garneau, Roland Giguère, Alain Grandbois, Gilles Hénault, Rina Lasnier, Pierre Trottier, and, naturally, Saint-Denys-Garneau). He also engaged the services of well-known writers such as Louis Dudek, Ralph Gustafson, Frank Scott, and Arthur Smith. ”26 That Glassco should take as his inspiration the poetics of translation of a seventeenth-century author imbued with the spirit of the “belles infidèles” is no coincidence.
On Becoming a Novelist by John Gardner