By Martina Urban
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Additional resources for Aesthetics of Renewal: Martin Buber's Early Representation of Hasidism as Kulturkritik
Among the contributors to the magazine were the co-founder, Alfred Döblin, Walden’s wife the poetess Else LaskerSchüler, the poet Richard Dehmel, and the journalist, satirist, and poet Karl Kraus. Together with other authors of Der Sturm they would define the horizons of Expressionism in literature, poetry, graphic art, and music. Nietz sche was a major source of inspiration and a paragon of the anti-bourgeois stance shared by the German avant-garde in all its shades. Adopting Nietz sche’s view of the artist as a critic of traditional values and outdated societal norms, Buber crafted his Jewish vision of modernism through a literature that was not on any reading list.
Hence, unity is a quality of the soul, but it needs the dialectic interaction with “objective culture” to fully develop and culti vate itself. Buber was inspired by Eckhart’s almost heretical transformation of Christian doctrine into an immediate relation of the soul to its divine primal ground. 10 He would judge all anthological and scholarly presentations of Jewish mysticism according to their insights buber’s hermeneutic horizon 19 into the psychological reality of mysticism. ”12 The notion of a single meaning of a text or of the intention of an au thor does not hold for the kind of material Buber represents in Legende (it holds partially for Rabbi Nachman, where we have one author).
45 Through his publishing house established in 1898, Diederichs became one of the principal patrons of the German Renaissance.
Aesthetics of Renewal: Martin Buber's Early Representation of Hasidism as Kulturkritik by Martina Urban